Giantkiller moves forward into Full Heterodyning.

[supersam]

@duff,
thanks for the help!  man i must be slow, sometimes.

@aceswer,

i still don't see how to access this from the post reply box.

@ everyone,
"MEANWHILE BACK AT THE RANCH", gk has come up with a setup to manipulate soundwaves at will, with his setup!  is, is also saying he can do something similar.

@ gk,

have you been able to manipulate, at least the sound, any way you want it to go?  if so have you tried, rodins, 1,2,4,8,7,5.  trajectory points for starters?

lol
sam

[acerzw]

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[supersam]

acewrz,

yea i have seen it in the past, but even now your post didn't show up!  maybe it is something new.

"MEANWHILE BACK ON THE RANCH" !!!!!!!!!!!!

lol
sam

ps:sorry if it seems i got everyone off on this tangent at such an important time.  i try to limit my non-performing asses comments to as few a possible now adays.  i hope i havn't thrown the whole subject off on this tangent, when there are so many more to be explored yet!  i just wanted to expand my mind with gk's posts from that page one more time , and found it very frustrating when i couldn't seem to find it.  thanks everyone for the patience.  shuttin up shutttin up.

[acerzw]

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[supersam]

@all,

eight notes brings a scale back to itself everytime.  doe-ray-me-far-sew-la-tea-doe. 1-2-4-8-7-5-1, according to rodins theory seems to be, a couple of notes shy of a full scale, wheather it be minor or major.  i wonder if what we are missing in looking at musical scales and projections of the thirds is the fact that, the 3 & 6 are going to come up in the harmonics of the other notes.  no reason to play them.  play the 1-2-4-8-7-5, and the cord will demonstrate the 3-6-&(9).  the (9), being the unity we are looking for!

lol
sam

ps: lets just say in the key of c:  you play the notes to form a cord of, doe-ray-far-(high)doe-tea-sew-doe.  does the tripleing of the doe bring in the three?  what happens to the six and the nine on the scope.  if you observe them do they dissapear?>  shuttinup shuttinup!