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Overunity Machines Forum



Gravity, Magnetism, and BFOs, to power the TPU?

Started by EMdevices, December 10, 2007, 03:53:17 PM

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0 Members and 3 Guests are viewing this topic.

EMdevices

Boys, look no farther then a, BFO


EM

P.S.Ã,  A bird wispered in my earÃ,  LOLÃ,  :)Ã, 
Ã,  Ã,  Ã,  Ã,   "...Don't ask any questions, just build....I can't show you everything..."




turbo

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I originally got the idea from electron circuits which use vacuum rectifiers like the 5U4 GB or 5AR4 etc.

As my memory tells me, I originally used three old tube type frequency generators coupled to tube amplifiers composed of a 12BY7- input tube and a driver coupled to a 6AS7G output tube. It was using this apparatus that enabled me to first strike those magical tones.

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Guess what is driving that tv tube......
It isn't hard to find..... just look.




turbo

Quote from: dutchy1966 on December 10, 2007, 05:32:55 PM
Quote from: -[marco]- on December 10, 2007, 05:28:24 PM
id bet is the second one (vortex is created by the external source).

Runaway.

M.

OK, so if that is true, then what is the role of the three harmonic frequencies in the tpu?  Are they maybe there to cancel the flux around the collector??? Have we always been looking in the wrong direction???

R.

We? i have always been thinking these frequency's were to cancel the flux...what else would they be for?

and i do not believe his real name is Steven MARK too.

M.

EMdevices

One thing is certain, you need to DRIVE the device to hit the CORD.

The 10 Million dollar question:   What CORD?

EM


turbo

solid state circuits make odd harmonics, tubes are diffrent, even order....

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P-P always has to divide audio into two deliveries and cross through the transformer core to alternately remagnetize at waveform zero. This is notch distortion and can only be reduced by feedback (except for unity coupling). Feedback is frequently used to improve performance but this is like driving a car with the gas to the floor and controlling the speed with the brake. Now to add salt to the wounds, P-P will cancel even order harmonics but will add or emphasize the odd order. To illustrate this, one experiment that still intrigues me is when we took two audio frequencies and mixed them to one waveform which measured as 80% distortion. It then passed through a very good quality commercial P-P amp where the output waveform measured about 50% hmm! But when we then passed it through a SET amp and its output measured 80% just like the original. What Happened to the other 30% within the P-P amp? It appears that there are occasions that some audio signal complexities may also cancel or change structure from the original as well as the P-P tube transfer characteristics on even order harmonics.

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M.