Free Solid State/mechanical energy

[orosado]

Hello all....This is Scotty from Leedskalnin.com...I felt my ears twitchin' so i thought i'd drop in....If anyone would like to know about the pmh, i would be glad to answer...as i have done at OU.com before.

Hello Scotty,

Welcome to the thread! Your experience with the PMH is of our interest. I admire your dedication to Leedskalnin's work and replication efforts.

Regards,
Omar

[am1ll3r]

Hello all,
I have read and reread this forum and I must say I cant get enough of it!
I am still trying to grasp the full workings of this device and to help with that I taken all Erfinder's posts and assembled them into one list along with the photos.

http://docs.google.com/Doc?id=dg764fg_1hrmr3w

I know all the threads are important to help us learn but referencing back through 30 pages of posts can get tedious.

Hope this helps 

[zepharim]

LOL
THanks am1ll3r
i was about to do that as i had done the same thing this morning before work ... just wanted to create an outline - an agenda to learn as i had posted earlier (in accordance with ERFinders direction) ... lol
Thanks again ... :-D

[Maximumgravity1]

Ok, I am going to just throw this out there, because I feel I am getting close, but lacking a few key points.  As is typical, I could be way off, but I am starting to see some correlations in the numbers....

TO get back to basics:
Everything stems from Mind - Mind establishes Spirit - which begins to vibrate/resonate to "do work" for lack of better term.  This "work" compiles to form matter.  Thus all matter is a vibration or resonant frequency of Mind (all matter is an illusion - but a bit deeper for where I am heading).

In order to manipulate that vibration (matter) at a "higher level" which does not involve brute force, the concept is to "just resonate" at a level which the "brute force" is capable of.

It is quite obvious by now that the concept of ERFINDER's circuit is to teach about resonate harmonics.  The idea, as I understand it, is to manipulate (with little effort or force) a "lower" harmonic, so that we can resonate a "higher" harmonic, and achieve "more perceived work" with little to no additional force, other then that which is already supplied by nature.  By resonating these harmonics, we are able to achieve an amplification of frequency (vibration), and manipulate the higher frequencies, exactly the same as we manipulate the lower ones, and more importantly - we can do this BY manipulating the lower frequencies.  The effects of the lower are simultaneously transferred to the higher.  This allows us to achieve a "higher frequency" of "work" from a lower one.  Therefore, we only have to impact the lower frequency enough, to create changes up the line, to "tap into" those higher frequencies - thus the perception of "free energy".

I don't know if Leedskalnin?s Sweet Sixteen is two consecutive music octaves or not, but there are some interesting parallels.  In scavenging some of the research throughout this thread, I found the following:

The Church changed the frequencies for the music scale to steer people away form the truth of Vedic Physic and the 6 healing Frequencies  They changed A, 432 to A , 440.  D = 288 hz, E= 324 hz, F= 360 hz, G= 384 hz, A= 432 hz, B= 480 hz,  C= 540 hz,  D= 576 That will help you understand better.
The Geranium wheel has to do with the original scale for music and healing. This also involves sine waves, harmonics  and the  timing and motion of everything in the universe. This is because we live in a harmonically created universe with music as the key.
http://www.themeasuringsystemofthegods.com/page2.html

There are some very interesting numbers in those frequencies - particularly 360, 432 and 576.  432 is the number that Erfinder repeatedly states is our target frequency, because it resonates on the second octave - and thus provides our ratio of 3:1.  576, coincidentally, is the product of 144 and 4.  144 is the length of our secondary.  Multiplying it by 4 is the same ratio Tesla used in his patent that erfinder quoted previously, and for an ideal setup, should be the length of our primary (I am guessing) - or it is possible we are simulating that length - I am still not sure.  Moreover, there is a three "note" step between "A" (432) and "D" (576). In the Do, Re, Mi scale - that is  So to Do.  Again, I may be reading too much into this, but mighty coincidental. 

As for the 360, this opens a whole new can of worms - this is coincidentally the number of degrees in a circle.  Moreover, when we divide 360 by 16 (Ed's sweet sixteen) it gives an arc angle of 22.5?.  This same 22.5 is the entire topic for discussion of the 22.5mm/1" threads.  This also is one of the keys to tying in our first and second octaves  I am not very good at math, but I believe there has to be a correlation between these two. Most likely in the triangle wedge that is formed in the 16th of the circle, and the resulting base leg of that triangle - the part that would "square the circle".  Moreover, I believe it must be relatively "simplistic" (read natural) as this number seems to go back to the Sacred Egyptian measurements as well, and should be discernable by simple observation and basic inductive reasoning.  There seems to be a lot more to this then what I am able to wrap my head around at the moment, so for now, I am leaving it until I get more clues.

Finally on this topic of the Sweet Sixteen:

Ed mentioned Sweet Sixteen yet no one understands what this means.  This is what it means.

16 X 16 = 256 / 2
           = 128 / 2
           = 64   / 2
           = 32   / 2
           = 16   / 2
           =  8    / 2

Sweet Sixteen was an indicator that we needed to do the above math, but why?  It is clear that the result we end up with do not parallel with what I have already stated, but when you realize that the Tesla Alternator had 16 magnets and Ed's generator has 24, the next step is to do the same thing with the number 24.

24 X 24 = 576 / 2
           = 288 / 2
           = 144 / 2
           =   72 / 2
           =   36 / 2
           =   18 / 2
           =     9 / 2

These seem to break down as fractions of the 16's.  1/2, 1/4, 1/8. 1/16, 1/32, 1/64, etc.  This in and of itself is a squaring (EDIT: doubling) of the denominator.  I believe this further solidifies that we are talking about harmonics, and these are resonant frequencies of that harmonic, down the scale on a "manipulatable" level that we have access to.  I am not entirely sure as to the reason we square the first number (the number of magnets) other then we are squaring the numbers of the harmonics.  I believe this is probably backwards reasoning, and I believe we are probably squaring the number of magnets for a different reason, and as such, have to square the divisor...

Most of the rest of the topics about the octaves makes good sense, and I can see the relationship between the secondary length, the frequency obtained by the RPM (however, no clue how the "arbitrary" RPM numbers were chosen) and finding a "harmonic number" of the speed of light in the octaves.  The one that I can find no correlation to whatsoever, is why the octaves are divided by 42, 45 and 48.  Maybe I am missing a part of the conversation somewhere and will go back.

Anyway, these are my thoughts, I may be missing something, or may be drawing wrong conclusions, but I feel (in my gut - which I am told to trust) that this is begining to think along the proper lines.

[Maximumgravity1]

One thing I forgot to add, ERFINDER somewhere along the way stated something about his circuit and Leedskalnin's generator working in a similar manner, but the magnet configuration is different.  Moreover, he indicated that we should study Ed's PMH.  It appears to me that all of Leedskalnin's magnets are either hooked together in series, or are acting as their own PMH.  Since the magnets are V-Shaped, the only part we see sticking out of the concrete ring are the ends - which are touching together.  The "V" opens up, and points to the middle of the circle.  It appears as if all the magnets are touching at each tip of the "V".  What we are seeing sticking out the end of the concrete is the union of two separate "V" legs.  If it helps, visualize VVVVVVVVVV times 24, and then wrap them in a circle so the points are sticking to the outside.

This opens some interesting possibilities.  Since these are all touching, pole to opposite pole, it does make me believe they are working in series, while at the same time, not voiding their poles (as does erfinders magnetic ring).  But at the same time, is creating a void at the junction - which happens to be sticking out of the cement ring.

Moreover, it appears that there are 5 rows of magnets laminated together to form each individual magnet.  These 5 magnets are also acting in series, increasing the strength of the magnets, and voiding the poles between each plate.  Of interest is the 4 lobed ring at the top of the cement circle.  It seems to have 4 points driving down into the ring, and splitting every "V" at the 90? mark (conveniently designating N,S, E, W).  This ring looks like it could be acting as a PMH - but purely speculation.

Moreover, it appears that Leedskalnin's center rotor is acting as a 6 pole rotary switch - much like erfinders 24 pole switch.  The only difference is I don't believe there is any external power source.  Of interest from this page again:

This is the inner view of the device; you can see the backs of the u magnets. The centerpiece is just to collect the magnetic flux produced by the magnetic array of the device. This flux (These terms are also accurate magnetic current, either even gravity waves) can be collected in an electrostatic capacitor to create a large discharge if required. 
http://www.themeasuringsystemofthegods.com/page4.html

Many people have stated the long tube behind this device was a capacitor.  Since ERFINDER mentioned that the secondaries in his circuit are mostly electrostatic in nature and acting as capacitors to recharge the battery, while the primary recharges the capacitor, it leads me to believe that we do have the same sort of setup, only the magnets are configured differently, and the voids appear to be powering Leedskalnin's machine directly, while in ERFINDER's they are the "conduit" to escalate the frequency into the next octave.

But again, I could be wrong, still guessing as I don't entirely understand how either of these devices work.