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Overunity Machines Forum



Complete information on working SM style device.

Started by spherics, March 17, 2008, 12:03:53 AM

Previous topic - Next topic

0 Members and 11 Guests are viewing this topic.

Grumpy

It appears that a clean 300v sqaure wave is not easy.

EDIT: I'm going to cheat a little - hope 1 to 2kv will work.  No SS in the way.
It is the men of insight and the men of unobstructed vision of every generation who are able to lead us through the quagmire of a in-a-rut thinking. It is the men of imagination who are able to see relationships which escape the casual observer. It remains for the men of intuition to seek answers while others avoid even the question.
                                                                                                                                    -Frank Edwards

Feynman

Marco has suggested to me to use tubes... my analog experiments has been with 12AX7s, you can get them in USA at Guitar Center. I think max plate voltage of 12AX7 is 330V.

Otherwise Maybe you can get your 300V+ with power stage tubes like 6L6?

acerzw

I like Spheric's concept and am interested in simpler configurations (dare I say mobius) that could be created using the same basic principle, for if Spherics configuration is as efficient as he states in comparison to SM's then it will be overkill when only smaller loads are required to be powered. With this in mind I compiled a PDF of the basic principles of Spherics theory of generating excess energy from the ether, with the specific idea of isolating the core principles and as much generally useful information as possible, without being too device specific. I believe it will serve as a useful reference and have attached a copy to this post (text file only, due to forum's tiny file size restriction) should others wish to use it. It is really a quick-reference of the main points of Spheric's posts, the original posts should always be referred to if context is required, best be familiar with them anyway.

A

P.S. if you want the PDF, which is prettier and preserves the highlighting from Spheric's posts, you can PM me with your email address and I will send it to you.
In a Holographic Multiverse everything is smoke and mirrors!
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Bruce_TPU

Quote from: spherics on March 26, 2008, 10:49:49 AM

(snip)
This diagram shows you what is needed to get a kick, and view a kick on an oscilloscope.

No iron as a core. Wind on a stiff poly pipe. Use copper wire for the windings.
Keep the delay coil 2+ feet away from the bifilar coil.
Keep the bifilar as far away as possible from your oscilloscope and permanent magnets.
Pulse with a square wave.
Tune as per previous post.

Someone mentioned about connecting the oscilloscope.
Use two channels and connect two probes, one probe to each coil.
Not one probe across the two coils.


@ Kames and Eldarion

Good job. Time to test the pickup and look for some DC, perhaps.

Cheers,

Bruce
1.  Lindsay's Stack TPU Posted Picture.  All Wound CCW  Collectors three turns and HORIZONTAL, not vertical.

2.  3 Tube amps, sending three frequency's, each having two signals, one in-phase & one inverted 180 deg, opposing signals in each collector (via control wires). 

3.  Collector is Magnetic Loop Antenna, made of lamp chord wire, wound flat.  Inside loop is antenna, outside loop is for output.  First collector is tuned via tuned tank, to the fundamental.  Second collector is tuned tank to the second harmonic (component).  Third collector is tuned tank to the third harmonic (component)  Frequency is determined by taking the circumference frequency, reducing the size by .88 inches.  Divide this frequency by 1000, and you have your second harmonic.  Divide this by 2 and you have your fundamental.  Multiply that by 3 and you have your third harmonic component.  Tune the collectors to each of these.  Input the fundamental and two modulation frequencies, made to create replicas of the fundamental, second harmonic and the third.

4.  The three frequency's circulating in the collectors, both in phase and inverted, begin to create hundreds of thousands of created frequency's, via intermodulation, that subtract to the fundamental and its harmonics.  This is called "Catalyst".

5.  The three AC PURE sine signals, travel through the amplification stage, Nonlinear, producing the second harmonic and third.  (distortion)

6.  These signals then travel the control coils, are rectified by a full wave bridge, and then sent into the output outer loop as all positive pulsed DC.  This then becomes the output and "collects" the current.

P.S.  The Kicks are harmonic distortion with passive intermodulation.  Can't see it without a spectrum analyzer, normally unless trained to see it on a scope.

Bruce_TPU

Quote from: spherics on March 24, 2008, 11:56:27 AM



The SM designs all work on the same set of principles. A pulse into a coil generates an expanding magnetic field. The magnetic field comes into being by an underlying patterning of the ether. It is a cascade action on the part of the ether that causes the EFFECT of an expanding magnetic field. If you then cause a second magnetic field to expand through the same space as the already expanding magnetic field, a specific cascading action, apattern is setup in the ether which is the EQUIVALENT of a magnetic field and has many of the characteristics of a magnetic field. By this I mean it will interact with metals, and cause the EFFECT of a current, IF the field is moving across the metal.  I will refer to this field as a COMP field from now on. But please be clear this COMP field is in addition to the expected magnetic field. This COMP field, a patterning in the ether, is dampened and effectively nulled by magnetic metals. This is why if you are using an iron core in the coils named control coils you will never get a working TPU.

No doubt this may be disconcerting to many who have fond references to baling wire, iron wire and the like. I will now digress onto the circumstance surrounding the initial eureka moment as I understand them. Audiophiles who frequent this watering-hole will no doubt have heard of QUAD ESL electrostatic speakers. An essential design element is the incoming signal is sent into, I believe, 7 or 8 progressive delay elements. These elements delay the signal by microseconds each time.

As part of experiments, associated with what would become his 3D spacial control patents, he was using these delay elements with custom made bifilar wound voice coils (i.e. air coils) and unexpectedly detected an anomolous signal on his spectrum analyser.

Steven Mark created his own delay elements using iron wire after several years of intermittent experimentation. The technique was to carefully wrap a bifilar air-coil using copper wire. The longer the length of copper the better but using identical lengths. The two coils were connected to the SAME pulse waveforms in parallel so that the magnetic field is additive NOT cancelling. The delay element was added in series to only one of the coils that made up the bifilar coil. The delay coil was made from insulated iron wire wound into an air coil. An oscilloscope was connected to both COPPER coils. The setup would be pulsed with a dc offset square wave (i.e. 0 to 20V not -10 to 10V) at the resonant frequency of the bifilar coils. The tuning consisted of cutting the iron wire down in length until an unexpected pulse/signal appeared. This pulse is the kick. I will refer to these tuned bifilar coils as kick coils.

You are privy to the information that the COMP field is nulled by iron. Those who so wish may like to take some time to fully comprehend the frustrations of closely packing the delay and bifilar coils together only to find the unexpected pulse was no longer appearing!!!  This is what SM had to contend. And Jack says SM was not technical. Bunkum!!

From traditional electrical engineering view point the kick coils for a particular quantity of energy now put out the expected magnetic field but also put out the COMP field which has effects like a magnetic field. In a world that excludes the ether, these coils are overunity. If the world took into account the ether, then the coils would not be thought of as overunity.

The magnetic field is now larger than expected. All that needs to be done is to rotate this field in a circle and intercept the field with an output coil. The captured energy is greater than the input energy because of the energy apparently created by the COMP field. If you arrange all N poles of the kicker coils so that they point towards the center and pulse each coil in turn you will get a rotating magnetic field. There are many ways to create a rotating magnetic field. A secondary effect of a rotating field is the entrainment of the COMP field so that the pattern in the ether is partially additive. A big problem was the iron in the delay coils. It was found that a large solenoid fed with a DC current to produce a static magnetic field around all of the kicker coils allowed the kicker coils to be tuned with the iron delay coils in close proximity.  (Bruce here:  This is a Static Magnetic DC Bias...Sound Familiar??   ;) )

Intercepting only N poles of the kicker coils means you get a DC output along with a smaller induced ripple from pulsing the kicker coils.

Feedback of the output into the input was achieved using toroidal saturable inductor switches. I've copied the picture from other messages of the inductor switches. Refer to the patent for an example to see how these switches are used. Early designs used a small magnet to bias the saturable inductors.

All SM devices had small batteries to power the LC oscillators. The LC oscillators were used as control pulse currents to the saturable inductors. To start the process high voltage capacitors were step charged, this is why the coils took time to start-up! The first few pulses came from these pre-charged capacitors being switched via saturable inductors. Part of the DC output was feedback to keep the capacitors fully charged.

My design shown at the very start of this message thread eliminated the need for an iron delay coil because the pattern is set up in the ether outside of the influence of copper metal of the control coils. It directly allows the COMP field to be generated IN FREE SPACE. By placing the output toroidal coil within this free space the COMP field is intercepted. The complete lack of any magnetic materials within this design is what allows this to happen.

I do believe there are elements of information here that you will not have been aware of before. I trust this is enough to convince at least some of you to reflect and ponder more seriously on this material.

http://ntrs.nasa.gov/archive/nasa/casi.ntrs.nasa.gov/19820016542_1982016542.pdf


1.  Lindsay's Stack TPU Posted Picture.  All Wound CCW  Collectors three turns and HORIZONTAL, not vertical.

2.  3 Tube amps, sending three frequency's, each having two signals, one in-phase & one inverted 180 deg, opposing signals in each collector (via control wires). 

3.  Collector is Magnetic Loop Antenna, made of lamp chord wire, wound flat.  Inside loop is antenna, outside loop is for output.  First collector is tuned via tuned tank, to the fundamental.  Second collector is tuned tank to the second harmonic (component).  Third collector is tuned tank to the third harmonic (component)  Frequency is determined by taking the circumference frequency, reducing the size by .88 inches.  Divide this frequency by 1000, and you have your second harmonic.  Divide this by 2 and you have your fundamental.  Multiply that by 3 and you have your third harmonic component.  Tune the collectors to each of these.  Input the fundamental and two modulation frequencies, made to create replicas of the fundamental, second harmonic and the third.

4.  The three frequency's circulating in the collectors, both in phase and inverted, begin to create hundreds of thousands of created frequency's, via intermodulation, that subtract to the fundamental and its harmonics.  This is called "Catalyst".

5.  The three AC PURE sine signals, travel through the amplification stage, Nonlinear, producing the second harmonic and third.  (distortion)

6.  These signals then travel the control coils, are rectified by a full wave bridge, and then sent into the output outer loop as all positive pulsed DC.  This then becomes the output and "collects" the current.

P.S.  The Kicks are harmonic distortion with passive intermodulation.  Can't see it without a spectrum analyzer, normally unless trained to see it on a scope.