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Overunity Machines Forum



DISSOCIATING WATER, A KEELY Project

Started by hansvonlieven, October 03, 2007, 02:04:46 AM

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hansvonlieven

Thanks for the tip Grumpy,

I am aware of some of Ironhead's work. As I get the time I will look up his posts. I am sure there is some very interesting stuff there, he strikes me as a good man and researcher.

Hans von Lieven
When all is said and done, more is said than done.     Groucho Marx

argona369

Hi Hans,

Sound at the speed of light?

http://physicsworld.com/cws/article/news/23467

http://www.msnbc.msn.com/id/16599496/

A new meaning for Mach 1 (c ) ?  ;D

Ps,
Sound at light speed would make for some awesome headphones don?t you think?
Unless it liquefied your brain of course.

IronHead

Sorry that what you will find on my basic S-Cell,  NS-T Cell  and  Plasma systems are not  scientifically documented .The stuff I am working on know I believe is just far to dangerous to post , at least until I get a handle on it all. Originally I did not build  to post or save the world . I only build for a specific thing  and did so till that thing worked for my own uses . This is why things were never really documented. Hell I had no idea there was this big world out here of people trying to do the same thing .

Thank you
IronHead

hansvonlieven

The Generation of the Audio Waveforms


Keely?s system relies on the generation of complex waveforms constructed along very rigid and precise lines. Because of the technology of the day he was forced to use a series of acoustic resonators. This imposed a number of restrictions as to usable frequencies and relative amplitudes. It is my view that it is because of these  restrictions that Keely found out what he did and that modern replications involving electronics have failed to produce the same phenomena because the restrictions were not taken into account.

For instance, using acoustic resonators, the only way to increase amplitude of a certain note is to add more resonators of the same kind. This may sound banal and of little consequence until one examines the relationships here.

Take one resonator. If you now add one more resonator you increase the volume by 100%. Or by a factor of two. Adding one more again you increase the original volume by a factor of three and so on.

See what I mean?

The volume increase follows the same arithmetic progression as the harmonics.

This where Keely parted company with contemporary acoustics. His machines exhibited not only precise mathematical relationships between the notes, but also in their relative amplitude.

I consider this a vital aspect in the overall design of his machines.

I have in all my research never come across a comment that mentions that fact.

Modern electronic circuits allow incremental increases in amplitude. Therefore Keely?s system is NOT being replicated unless one knows of this. I believe many failures can be attributed to that particular oversight.

Hans von Lieven
When all is said and done, more is said than done.     Groucho Marx

argona369