Steven Mark´s associate Jack Durban comes forward with more info !

[BEP]

@Bruce

"First frequency then second harmonic component into the second, then the third."

"First frequency" - Unclear...Apply F1 to the first collector/control arrangement? Or expect F1 to be generated by other actions?
"then" = delay.
"Second harmonic component" is the third harmonic of the first frequency (F3) - so we are still at one injected frequency but injected at a first location.
"into the second" means inject F3 into the second collector/control arrangement. - still at one injected frequency but injected at a second location.
"then" = delay.
"the third" means inject F3 into the third collector/control arrangement. - still at one frequency.

The notion of always having to be just off a certain frequency points me to the fact we are dealing with a circular path. That means pi must be used. So instead of F3, make it F3.14.

"I have a three channel system I listen to." - three collectors.

What I see is there are two separate injections of ~F3 with delays inserted to cause phase shifts.

Since 8 harmonics are mentioned this leads me to believe there is an even number of injection points. Perhaps two with 3 components of the desired F1, each(equaling a total of 8 harmonics of the desired F1).

I've seen no mention that these frequencies are different. It is much easier to create rotation with two vectors of one frequency. Since dual rotation is mentioned two frequencies would be required. One for the circumference of the collector and one for the circumference of the control.

Past experience and current experiments indicate the ratio of circumference between control and collector must be 1:2*pi. If it isn't then there will be no harmonic coupling between the control and collector signals and no 'dual' rotation or entrainment. No entrainment = no nonlinear system and no deterministic chaos. No chaos = no gain.

Since the very precise frequency of 35.705kHz was mentioned as 'measured' I must assume that is the result or F1. So 35.705 * (2 * 3.14) = ~224kHz injected in two or three separate coil sets with a phase shift between them.


Time to quit now. As you see, the whole thing can be read various ways.

[giantkiller]

Youtube: spinning crop circles. You won't believe what you see.
This shows visual harmonics of the TPU functioning. Say what?
Go with this as a model of action. I would prefer a better level of control but theses guys aren't working on what we are.
I would really like a nanomesh of hall effects to wrap this over. Like a high density cloth much like the pixel layer of LCD screens.
Maybe in the future sometime these can be grown in sheets.

--giantkiller.

[BEP]

Youtube: spinning crop circles. You won't believe what you see.
This shows visual harmonics of the TPU functioning. Say what?
Go with this as a model of action. I would prefer a better level of control but theses guys aren't working on what we are.
I would really like a nanomesh of hall effects to wrap this over. Like a high density cloth much like the pixel layer of LCD screens.
Maybe in the future sometime these can be grown in sheets.

--giantkiller.

Why is it that my posts always trigger crop circle comments, GK?

Am I considered one of the forum's alien visitors?

BEP

[wattsup]

Yes and with only one frequency plus a second same but off phase, you do not need synchronicity.

[Bruce_TPU]

Fundamental frequency is what collector 1, as a tuned resonant tank is tuned to.

2nd harmonic of fundamental is what collector 2, as a tuned resonant tank is tuned to.

3rd harmonic of fundamental is what collector 3, as a tuned resonant tank, is tuned to.

Input frequency 1, into "amplifier" (mixer) is fundamental frequency. (Center Frequency)

Input frequency 2, into "amplifier" (mixer) is Modulation Frequency. 

Input frequency 3, into "amplifier" (mixer) is Modulation Frequency.

The "EFFECT" of these three input frequency's mixing is their "CREATING" frequencies, via intermodulation.  Adding up, and subtracting down.  This "PROCESS" (as I have the three freq's SM gave in private for the 15") when shown in a spreadsheet, produces "hundreds" of replicas of the fundamental, and "hundreds" of replicas of the first 7 Harmonics of the fundamental.

And then, on the "THIRD ORDER INTERMODULATION", all EIGHT OF THESE FREQUENCIES "COMBINE", converge, what SM refers to as his description of "RESONANCE".

All of this happens in a pica second.

Now, this is the kicker.  When the signal from the amp is split, and one leg is inverted, and these opposing signals are sent into the collector, you have "INTERMODULATION" taking place, both "IN PHASE" via one leg of the signal, and "INTERMODULATION" taking place, that is "INVERTED 180 degrees, out of phase" from the other leg of the signal.

This establishes "standing waves" of every single "CREATED" frequency.  another vital part of this working.